Pigpen is brilliant on harp and delivers spot-on vocals. Clementine slips easily into Good Morning Schoolgirl.
Clementine was inspired by John Coltrane’s My Favorite Things, which also is in 3/4 meter and has a long jam on two chords. Jerry soars on guitar after his first verse of vocals. Cryptical simmers down not to New Potato, as it usually did in this period, but to the rare Clementine, played on 5 times (according to Deadbase). Cryptical/Other One is short, but high-energy, driving psychedelia, but also tight and musical, in the classic Anthem style. Start with a prime Viola Lee that ends in a vintage-period feedback. You can also throw in 1/20/68, and it rivals any run in the history of the Dead. 22) are all outstanding shows in an outstand run of Anthem shows. The run of 2/2, 2/03, 2/14, and 2/23-2/23 Kings Beach Lake Tahoe (aka, Dick’s Picks Vol. Maybe I'm babbling on about nothing but what about Brent- that guy got solo & he was god, right? Keith too, nothing too special but, that doesn't seem to matter to Jerry,"Go ahead Keith, take one!" Then he goes tinkle tinkle tinkle & I go "That was pretty nice." But, what about the Pig? If anyone know of any great Pig organ solo's give me the 411-yo! Otherwise, this is a high grade, high quality, serve & smile recording.Ace's High.įebruary 1968 is an outstanding month of shows near the end of the 6-month Anthem of the Sun recordings. Jerry was hitting people with decibels of ear piercing mania- I guess if I ate as much acid as they I'd probably be manic too but, my point is this: Jerry solo'd 'til he somehow drifted back to the stage from his out of body experience but Pig, on the other hand git the shaft show after show- was it because he didn't have anything good to say on his organ? Maybe he couldn't solo- I certainly haven't heard anything special but then again Bob doesn't solo either. When it came to the keys I'm a Brent fan anyway but, Pig was an icon of the original crew- people loved the Pig 'cuz he was the Reverend of Love and Sex- he didn't look it-but he was out front trying to mow some lawn- you know trying to get the vibe out there. The set finishes with a nice back & forth hing with Jerry & Pig to round out a beautiful & emotional set with Good Morning little School Girl (one of my favorite Pig songs & then low and behold: it's from a completely different show-eeeekkk! Why, you may ask does that bother me? Really, it's just because in past reviews I'd thought Pig gets kinda put on the back-burner I am by no means a huge Pig fan & before anyone gets like all fired that I say anything harsh about Pig- please, just hear me out! I love Jerry as much as anyone & he was on for this show,just blistering the set the band sounds like they've really established the reentry on Viola-this one sounds like doomsday crazy and zowwie wowwie I hear the monster of the seventies ringing through the chaos. Shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.Ĭuz, until I finished the concert I hadn't read any of the comments from the up-loader and I should of, my review has since changed and I had it all lined up in my head- not that anyone really reads these reviews unless its like 10 words or less. Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott
This is the last show with one of the early versions of the Other one lyrics: When I woke up this morning, my head was not in sight I would ask the walls about it, but they vanished overnight I could not think or spell my name, or fly there was no way and the heat came round and busted me for smiling on a cloudy day I was skipping through the lilly fields, when I came across an empty space it quivered and exploded, left a bus stop in its place a bus came by and I got on, that's when it all began there was Cowboy Neal, at the wheel, of a bus to never-ever land timings should be updated since Feedback is included in Viola Lee Blues. There's a convenient index by key as well as the standard alphabetical table of contents, and a guitar chord guide.Viola Lee Blues > Feedback Cryptical Envelopment > The Other One > Cryptical Envelopment > Clementine > Good Morning Little School Girl*Ĭomments from (1) the version of Good Morning Little Schoolgirl that is on tapes in circulation with this date is actually from 02/03/68 and was spliced in to replace the 02/02/68 version by David Gans for GDH #310. Baritone Horns, Euphoniums, and Alto HornsĪ great resource for worship leaders, praise bands & singers, or anyone who loves today's praise and worship music! This book includes more than 400 songs arranged for B-flat instruments - many of which also include vocal harmony lines.Speakers - Speakers & Tweeters Component.
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